Computer Music Review: Kanji Kinetic
Pure filth is the name of the genre here, presented at 140bpm and 175bpm. Subtlety is not within producer Kanji Kinetics remit – everything here is big and brash, with huge distorted bass noises and overdriven drums. Those after sounds not already mangled to death should look elsewhere, but for a quick and dirty way to make up front, filthy bass music, this library hits home.








