Loopmasters present Brassica – Electronic Visions, a subversive collection of rich royalty-free samples, taking you on an eclectic aural journey. These chunky Beats, celestial Leads and slick Bass frequencies will deliver an extraordinary richness to your music.
Brassica, aka Michael Anthony Wright, has matured into one of the country's most fascinating producers operating in dance music's left-field. Distilling all the influences from his storied musical past; Rave, New Wave Rock, Synth music, Experimental sounds, Ambient music and Disco to name but a few, Wright has found a sound that is uniquely his.
Electronic Visions takes you on a voyage of sonic adventures with a range of all-important musical starting points - atmospheres, riffs, melodies and beats which will inspire new ideas. Loops, one-shots and software sampler patches are provided to illuminate your Electronic productions – with drums, synths, bass and Sfx covered 10 multi-sampled instruments and a host of pre-formatted sampler patches.
Created with Brassicas studio favourite, the Nord Modular G1 – Electronic Visions features custom-made patches through a selection of stomp boxes, ran into an ancient Fostex mixing desk, then sampled into the computer. Blending digital dirt, analogue warmth and precision impact with equal measure – prepare to expand your sample library with the sound of Brassica.
In detail expect to find 882MB of content with 452 24 Bit Wav files. 173 Loops are included with 36 Bass Loops, 55 Drum Loops, 60 Music Loops and 22 Percussion Loops. 279 One Shots include 24 Bass Hits, 5 Bass Multi-Sampled Instruments [85 Samples], 35 Drum Hits [6 Claps, 5 Hats, 13 Kicks and 11 Percs], 25 FX Hits, 25 Synth Hits and 5 Synth Multi Sampled Instruments [85 Samples]. 33 MIDI Loops are included in the pack as well as 188 Rex2 Loops. This collection is also available in Apple Loops, Ableton Live Pack and a Reason Refill formats.
Brassica explains – “Electronic Vision represents a range of custom sound creations spanning the entire time I have been producing and features gear I’ve bought and sold on including old samplers, modular and outboard gear plus a secret stash of audio gold taken from sessions at friends studios such as live drums etc. Most of this content features and re-features heavily in my own music. The best thing about modern music production is the ability to use and reuse sound material collected over time. A decent kick, clap or synth stab is like a well-loved item of clothing – it eventually becomes part of your signature style”.
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