2GB of cinematic whooshes, fly-bys and suchlike, divided into 313 processed shots and the 600 raw source and field recordings on which they're based. A huge variety of 'stuff' was used to produce them, including water, aeroplanes, bikes, household impliments and even a homemake fireball. The only things we're not keen on are the sense of repetition that crops up occasionally, and the amount of reverb used on most of the processed sounds. As fuel for your own effects, though, the raw samples are worth the price of admission alone.
Computer Music Magazine Verdict
Original Source: Computer Music